“And now I’m looking at you,” he said, “and
you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that
makes me stronger than anything else ever has." (Jace Wayland; The City of
Glass by Cassandra Clare)
This topic has been on my mind for a long time. Thankfully,
I started writing this post early in the week. I kept writing...and
writing...and writing...and realized that I've got a lot more to say than I can
possibly fit into one post. So let's just call this Part One in a series of
five (?).
We could call it Subplot Saturday. Or Saturday Smoochies. Or even
Saturday Steaminess...
Yeah. So I'll keep working on that.
I'm going to share one rule a week with you for the next five weeks. Five weeks may seem like an unbearably long time to wait. But never fear. By the end, you'll be able to write a love story that people will tumbl about for years.
*(http://enchantedmusic.tumblr.com/)
Caution: Music will start if you click on this link!!!
*(http://enchantedmusic.tumblr.com/)
Caution: Music will start if you click on this link!!!
What is your idea of the perfect love story?
I suppose the answer to that question is different for
everyone. Personally, I don't like the love story to be the key element of the
plot. But although I want the love story to take a back seat to the action,
make no mistake: I read books for the romance. And I'm not alone.
Take the bestselling series The Hunger Games as an example.
Katniss's fight to protect her family and keep herself alive should have
completely overshadowed the love
triangle between Katniss, Gayle and Peeta. But in the days before Mockingjay
came out, what was everyone talking about?
“Really? Are you going to ask him to be your partner?" Isabelle asked. "It's like a cotillion, this partner's business, except with killing."
"So, exactly like a cotillion," said Simon. (From The City of Glass , by Cassandra Clare)
I'll read hundreds of pages for one paragraph that makes my
heart flutter. In fact, I submit that the hundreds of pages are a necessary
component. This isn't the "Wow, you're hot. All we need is a good excuse
to make out," romance. The kind of love story I'm talking about is the one
that says, "I know everything about you--your strengths, your weaknesses.
We're already an amazing team, and I want it to last forever. And by the way,
you ARE hot, and I've been waiting way too long for a good excuse to make
out."
My first attempt to tell a story like that was a bit of a
failure. That's because I got so caught up in the whole love story that I let
it take over. It's a perfectly valid basis for a book, and it was a lot of fun
to write, but it's really not what I was going for. What I want is a story that
would be worthwhile and fun even without a hint of romance. The romance is the
icing on the cake.
If I was a math geek like Maryann, this is the place where I
would build a really scientific looking graph showing the fragile relationship
between the exciting story going on in your character's lives and their
emerging feelings for each other. In the beginning, the driving action has
nothing to do with the romance. As with every other sub-plot, the goal is to
lay the foundation, so that the reader is not pulled out of the story when
things start heating up. As the book progresses, the ratio between action and
romance will start to shift, but the action still propels the plot. If
anything, the romance complicates it.
When you've stretched out the getting to know you phase as
long as you can, and its finally time to
get to the romance, there's nothing like a little adrenaline to make a romantic
scene shine. Don't believe me? Watch this:
Of course, your characters don't have to be in a battle to
the death when they declare their undying allegiance. They can wait until
after, if you want.
*This is my daughter's tumblr. Although she doesn't tumbl about
one specific love story, she follows several people who do. My favorite is odair-in-the-underwear.
One of the best love scenes I have ever watched is from the movie Last of the Mohicans. Hawkeye tells Cora: "You stay alive, no matter what occurs! I will find you. No matter how long it takes, no matter how far, I will find you."
ReplyDeleteSaturday Sizzle?
ReplyDeleteI'm excited to keep reading more on the topic, since I've always been uncertain about how to go about adding romantic elements to a story. It's true that a story with an excellent romance in the middle of an even better plot will draw me back more than one lacking romance (or only about it).
I've never seen tumblr before. It looks addicting.
ReplyDeleteI love a good romance subplot too, and I agree that there needs to be more to the story than just the romance.
ReplyDeleteBut if you are going to do a romance subplot, you really need to do it right. I've read so many epic fantasy when all of a sudden two people are in love. I'm left wondering, when did that happen? So I really appreciate it when it is done right.
Looking forward for the rest of the series. :)
Oh, I'm not sure if I could ever describe romance through scientific graphs even if it's a romantic subplot in a novel. Way too advance stuff for this math nerd. :)
ReplyDeleteI liked your explanation.
Great post. I like the idea of a series... Now you're on the hook :)
ReplyDeleteI struggle with writing the kind of romance you described so eloquently, where the two people know each other inside and out. I'm such a realist.. I always feel like there's no way people had enough time to really feel the way they seem to feel about each other in books, and I'm always struggling with making the characters find real reasons to love each other, not just share an attraction.
I thought Outlander was incredible at that. *I* fell in love with Jamie through lots of little details over the course of the book, so it wasn't hard to believe that Claire did, too.
In my novels, I usually come up with an interesting action packed scenario, and then spend way too long focusing on the teenage angst of "Does he love me or not?" That's one of the things I'm working on.
ReplyDeleteI think with romance, the reader will get there long before the character or the writer will.
All you need, is a likable character interact with someone of the opposite sex. Boom! The reader will supply all the angst you'll need. I think if you have a likable character interact with someone who has a discernible pain, or need, that the likable character can fix/fill, then you will have me hooked without any making out...at least not until the end.
Great post. I'm looking forward to the next one in the series.
Oh, thank you, thank you for this series. I feel like I'm the angsty teen when I try to write romance - does it look alright, is it coming on too strong, what should my characters say, are they looking/glancing/gazing too much at each other? It's jr. high dances all over again.
ReplyDelete