Showing posts with label caricature. Show all posts
Showing posts with label caricature. Show all posts

Thursday, March 29, 2012

Collaborative Writing Part 2: letter games


All while writing my post last week about collaborative writing in the form of real-time collaborative writing, I was thinking about my original collaborative writing project: letter games.

It all started when I came across a book by Patricia C. Wrede and Caroline Stevermer. 



The authors wrote the book entirely by sending letters to each other from the point of view of their characters. The picked a setting ahead of time… and then were not allowed to discuss plot at all, just let it develop naturally. And yes, it has to be real letters. Or else it's not quite so fun to get the story in the mail.

The idea of not knowing where my plot is going today makes me want to hide under the kitchen table with a mug of hot cocoa and a flamethrower to use on anyone who tries to take my outlining away. But five years ago, when I was young and carefree, it seemed like a bold adventure.  So I roped in my good friend and fellow writer Teri, and we got to work.

Teri and I ended up working on two letter games. The second never quite finished, which is entirely my fault, unfortunately. But it was amazing to watch how these letters and the plots involved.

Even then, I tried to plan and steer the plot certain ways. But Teri, living thousands of miles away in North Queensland, Australia, often failed to heed my attempted psychic transmissions on how to shape the story. She'd end up taking the plot somewhere fantastic but entirely different. And thus I was forced to abandon my supposedly brilliant plan and come up with something else - which invariably turned out to be better than my original idea.

I love the places you can go from writing a generic letter from an interesting character. And thus, a headstrong businesswoman in future LA and a colleague in Australia turned into an international conspiracy of government magicians, mysterious pendants, and an epic showdown in a South American jungle. AND, I got one of my first published stories out of Sasha, my character (in combination with a Hatrack Contest). The story, called "Tacos of the Apocalypse" was published at the (appropriately titled)

For the second game, a young woman in a convent and her roving warrior lover turned into the ultimate battle of good and evil featuring elves, dragons, and a game with the devil itself. That's the one we didn’t finish, even though I came up with the Best Ending Ever for the game Sage plays with the devil).

I do miss the letter games, particularly Sasha. Sasha was hilarious, and a very easy voice to slip into. I suppose she's a little bit of a clichéd character too – her hardass quality is rather overdone. But maybe I need to worry less about characters being a teeny bit of a caricature, because a strong voice is more important? What do you guys think of that?

And despite silly statements about me and flamethrowers, I do miss letter games. Maybe I should go write that last letter in the second game now. We'll see if Teri forgives me for the three year break.

Wednesday, November 16, 2011

Caricature and Character


Lately, I’ve been writing Harry Potter.

Yes, yes I have. I’ve also been writing Shannon Hale’s, The Goose Girl, and Megan Whalen Turner’s, The Queen of Attolia.

Okay, I can only wish I was writing them for the first time, but I have been copying them and plotting them out and trying to glean every ounce of craft I can from them. And I’m hoping a few things will start to sink into my thick cranium.

Caricature

Now before I begin this magnum opus, I have to give a disclaimer. Having had exactly one college writing course (graduate level technical writing – not exactly a repository of literary nuance), I may have my definitions a little skewed, but I see caricature as having certain characteristics over-emphasized and others minimized. Like the pictures that street artists draw, or like a helium balloon, larger than life, but filled with nothing but air. Am I getting close?

Early on in figuring out this writing thing, I learned the importance of well rounded characters, deep backstory, motivation and on and on. But what I think I see in copying JK Rowling is how much, and how successfully, she relies on caricature. Sure, the main characters in Harry Potter all have characterization in spades. But how many other beloved characters are basically overly exaggerated caricatures? When I hear Crabbe & Goyle, I think lumbering, not-too-bright brutes. Percy? Fudge? Filch? Even the names of the characters are so evocative of their traits. And yet I love to loathe Lockhart and Umbrage, particularly because they are overblown.

Character

Megan Whalen Turner, on the other hand, takes great pains to make sure almost every person in her novels is complex, both personally and in their relationships with other characters. The father of the main character could be considered a moderately minor character, but we learn that he’s had a turbulent relationship with his son: disappointed expectations, not being able to save his son from himself, pride, acquiescence to his son’s choices, but never quite being settled with it. He is completely realistic in his actions and reactions. And yet, in four books, this well-rounded, this utterly human man has remained nameless.

These are, imho, two brilliant authors with two equally brilliant approaches. As a writer of MG and YA, I mull these things over in my head. When is it appropriate to use caricature and when is deeper characterization needed? Are there types of writing or age groups that respond better to one or the other?

Walkin’ Down the Street

And when I start putting the same assessments into real life I realize we’re probably wired to make snap judgments, to sort and categorize: Look! it’s the bubbly intern, the frazzled mom, and that salesman that always makes us feel a little greasy.

Maybe all we really need of the pimply cashier slouching at the end of the self-checkout is for him to be a caricature in our lives. But sometime, something might happen that lets us see a little deeper to the kid saving for college and worrying that he’ll need to pay the electric bill instead because his mom lost her job. Maybe in real life, even more than in books, it’s important to try to see beneath the surface and find the real person behind the caricature.

What do you think? How do you view caricature and character?


~ Susan

For more, visit:

meganwhalenturner.org

www.jkrowling.com