Or What To Do If The Story You Want To Tell Has Already Been Told.
It sounds as if you've seen one (and who hasn't seen the 2002 version), why go see the other?
I'll tell you why. The Amazing Spider-Man is better.
Don't get me wrong. Sam Raimi's version is fun, and awesome, and CGI-riffic. But, something always bugged me about the 2002 version of Spider-Man, that I couldn't put my finger on it until I saw the movie done right.
That's just my opinion. You can see for yourself in this side by side(ish) comparison.
Peter Parker
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| Andrew Garfield vs. |
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| That guy you saw at a supermarket once and couldn't decide if he was cute, or maybe related to you, or you met him once at creepy navel gazers anonymous.* |
In the 2002 version, Peter Parker is a nerdy, shy, bullied kid, who accidentally gets bitten by a spider and develops super powers.
In the Amazing Spider-Man, Peter Parker is a smart, hurting, outsider whose active search into his fallen father's scientific research on genetically altered spiders (say that five times fast) results in a spider bite.
Active vs. passive characters. Yay!
The main strength of The Amazing Spider-Man, is the depth of the characters. So, when you want to tell a story that has already been told before, give the characters truth. Show us that they lived before the story starts, give them hobbies, skills, reputations, goals, love interests, shame, fears, and by all that is holy make them hot.
Let your characters lead the story actively. Make the inciting incident happen because they made a choice, not because of random chance. Random things happen, but interesting people make random things happen.
Gwen Stacey vs. Mary-Jane Watson
Fans of the comic will know that the Mary Jane vs. Gwen Stacey is like...a thing. I-just-watched-the-movie people, like myself, may just be confused as to who this blonde girl is, but let me tell you; Gwen Stacey kicks Mary-Jane in the hiney.
Mary-Jane is a beautiful redhead who kind of likes Spidey, and wants to be an actress. She comes from a troubled home, and constantly needs saving. She is, IMO, more of a plot device than a character.
Gwen Stacey, on the other web-shooting hand, is smarter than Peter, beautiful enough for the elite of the school to respect her, but weird enough to be excluded. She is strong, kind, brave, and willful. She is so awesome, that Peter Parker had to get super powers in order to become equal to her. Basically, in all ways, she wins. Which breaks my heart, because I like her so much, I've looked into her story-line, so I know how this love story is going to end.
(giddy evil giggling)
Ahem. What I like is that she's a real person, and not written as a cartoon.
So, if you're telling a story that has been told before, why not change up the love story? Romeo and Juliette's Age-Appropriate Cousin, might make for a fun option. Instead of killing the witch, Hansel and Gretel could bring the witch home to marry their father. Feel free to take liberties, and change things up. Even though you are telling a story that has been told before, that doesn't mean you can't let the story live.
Moment of Reveal
In the 2002 version of Spider-Man, Peter Parker falls asleep and wakes up wondering why his glasses aren't working, then takes his glasses off and checks out how buff he is in the mirror. Look, Sam Raimi points out, he's changed.
In the Amazing Spider-Man, Peter Parker falls asleep on a bus, and a drop of water falls on his nose. Chaos ensues. The moment of reveal is panicked, and violent, and awe dropping. Mark Webb (who also directed 500 days of Summer) shows what it would be like to go from normal to super power, in an instant, while keeping pathos, and attention, focused on the character's experience.
Lesson to be learned; if you ever have a character looking into a mirror and wondering about how much they've changed, then you are approaching the character from the outside, and your characters are probably a bit too shallow.
One of the beautiful things about retelling a story, is that you can make a character that readers already love, and turn it into a real person. You get to turn a daydream character, into a friend, into an experience. How awesome is that?
In conclusion
At the end of the movie, Peter Parker walks into his English class, and his teacher says the following, (this isn't a direct quote, just from my memory, so I apologize for any errors), "In college, my Literature Professor told us that there were only ten plots, each retold over and over again, but I think he's wrong. I don't think there are only ten plots, I think there's only one; Who am I?"
I love that. What I want you to get from this post, is not matter how many times a story like yours has been told before, no matter how many cliches, or old tropes, or whatever, it's never been told by YOU before. Focus on the characters, focus on the experience, put yourself onto the page, and it'll work out.
Oh, and also, rent this movie. I enjoyed it as much as I would have if it were a book.
And that's saying something.
~Sheena
* Meetings every Wednesday at your local Starbucks.
